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It was always an ambitious show, but tedious in pace and execution, leading Netflix to temporarily cancel the big-budget series after two seasons.Whether you've read the source material or not, Brian Yorkey's adaptation of the YA sensation will ensnare you.That the central romance resembles something out of middle school is fitting in this context. Will she risk her Williams-Sonoma catalog Connecticut home life for an affair with a Brooklyn-dwelling, indie-rock-loving, coffee-hawking young woman named Sidney? A more important question: Will you make it past the first episode? Unfortunately, as it unspools, it thrums with the corniness and energy of a broadcast sitcom with F-bombs.-- is surprisingly boundary-pushing in its own quiet way: The language is coarse, the emotions are real, and the characters, especially Elliott and Debra Winger's, have more depth than you'd expect. But unless you're in love with historical dramas, you might find it a disappointing and plodding saga, one that, as you'll recall, swiftly and rightfully got the axe. You'll feel like you're watching reruns of a show you've never seen before, which makes sense given it comes from Chuck Lorre, the mastermind behind series, like Elektra and Stick, who both have just as much to do as one-off villain Sigourney Weaver, who brings as much drama to the leadership of The Hand as possible.(Even if you're pissed at the end.) -- spinoff is one of the more exhilarating thrillers on Netflix, especially if you like your ultra-violence to rival John Wick.

As is the case with good old-fashioned television channels, some Netflix shows are better than others. is the one with kids and a dead spouse; Kimmy Gibbler, Urkel-like succubus, is in every other scene; and all the kids are slowly dying from staring at i Phones.Will the disgraced mogul actually stand trial for rape?Experts believe he could take a plea bargain to avoid facing 25 years in a criminal case that may hinge on actresses providing "prior bad acts" testimony, a key contributor to the Bill Cosby guilty verdict.Also, shout-out to Angela Kinsey, who's great as a bad mom. rides Cox's charisma and chemistry with Rosario Dawson's Claire Temple, which would go a long way if you didn't have to squint to see it -- the show is dark in tone and literal lighting. ), instincts that err on the side of disembodiment, and a dramatic triangle that positions Dracula, our drunken, ex-monster-hunter hero Trevor Belmont, and a church of merciless clergymen in a battle royale for ideological domination, is a fine excuse to watch illustrated swordsmen cut each other's throats and dark magicians disintegrate victims with the flick of the fireball.Marvel's inaugural Netflix series delivers R-rated superhero fans exactly what they seem to want: brutality, scenes ripped from comic book splash pages, and minimal thoughtfulness. Ellis can't give the 2-D characters the dimensionality of This show, from husband and wife duo Nicholas Stoller and Francesca Delbanco, looks like an ensemble comedy, but it's much more of a fucked-up love story.

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